Lassus Quartett Basel, Switzerland
Based in Switzerland since 2015, the Lassus Quartett represents an innovative approach to chamber music, integrating choral
singing into original programming of new and old chamber music literature.
Their unusual programmes reflect their curiosity for historically informed performance practice, contemporary composition, and franco-flemish renaissance polyphony.
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Performances & Recordings 1998-2018
by Charles Curtis
supported by 11 fans who also own “Salvatore Sciarrino: Ombre nel mattino di Piero [quartetto n. 9] [2012]: II. Recitativo? Liberamente mesto”
Sounds like lines. Conducive to bringing out the unknown forms that lurk in our minds.
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Piece for Cello and Saxophone
by Terry Jennings
supported by 7 fans who also own “Salvatore Sciarrino: Ombre nel mattino di Piero [quartetto n. 9] [2012]: II. Recitativo? Liberamente mesto”
Absolutely love this recording. I listen to it at work. I listen to it in the car on the way home from work. I listen to it while falling asleep. Curtis’ cello is so amazing. Just got the vinyl in the mail from Discogs the other day! Can’t wait to play on my hi-fi system!
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Occam XXV
by Éliane Radigue & Frédéric Blondy
supported by 7 fans who also own “Salvatore Sciarrino: Ombre nel mattino di Piero [quartetto n. 9] [2012]: II. Recitativo? Liberamente mesto”
Wauw … this is totally sonic drone heaven! Radigue hits me again! Beautifull
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Gorgeous and haunting performances of contemporary classical pieces for piano and electronics from Alfredo Ovalles.
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Afterimage (잔상; 殘像): From Bach to Brouwer
by Bon Ha Gu
Classical guitarist Bon Ha Gu brings intimacy and warmth to works from baroque to contemporary.
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A cycle of 9 duets, “Isolario” is by turns intricate, sparse, mysterious, and moving.
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Rhapsodia / Battements solaires
by Michèle Bokanowski
supported by 6 fans who also own “Salvatore Sciarrino: Ombre nel mattino di Piero [quartetto n. 9] [2012]: II. Recitativo? Liberamente mesto”
Intoxicating, looped orchestrations from within the synthetic pulse.
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